50 Years Fly

The Rise, Fall and Revolution of Hip-Hop Fashion

I returned to the team at NBC Digital Docs for this incredible dive into the history of Hip Hop Fashion. Our biggest challenge for this piece was how to make it feel alive. Unlike the pieces below, we didn’t have hours of verité footage to scene and world-build with; we had interviews and huge stacks of archival images and video. So I took inspiration from the clothing itself: thinking of these elements as small pieces of fabric that would turn into a larger garment. In the words of April Walker, “we would buy things, manipulate, edit, tear them up, and make them our own.”

Just as hip-hop revolutionized music forever, so did the iconic fashion that spun out of it, birthing a legion of savvy, entrepreneurial designers. As corporate fashion and luxury brands took notice, how did these designers maintain their space in the ever-growing streetwear market? This is their story.

Scenes from 50 Years Fly

Opening


In our initial script, the piece was going to start with what became our final scene: the celebratory 50-year anniversary fashion show. Ultimately, this was a scene that would need context, so I started looking for a quieter, personal moment to open on that could still explode into an arresting preview of what was to come.

Enter Dapper Dan’s marvelous metaphor about the Harlem River as a symbol of the ever-changing fashion industry. We bob on the waves until he tells us to “dive in.” I built the opening montage to feel like a visual representation of swimming back to the surface, running out of breath until finally you break the surface as the title card animates.

Dapper Dan & The Raid


In the early 1990s, Dapper Dan’s atelier was raided after complaints from major designers like Gucci and Fendi after more than a decade of using their iconography in his work, seeking to dress Black artists in the brands that wouldn’t associate with them. Although he is now recognized for his legendary contributions to hip-hop fashion, he became a pariah in the 90’s, going underground and designing quietly and privately.

We had no assets of the raids themselves, no articles, no photos, nothing. Needing to build out the emotion of the loss he experiences, I instead built a scene of him in his current atelier (ironically built for him by Gucci), utilizing moments that show his introspection, attention to detail, and wistful sadness.

Commercial Decline


In the 2000’s, what had been a niche market of Hip-Hop designers burst onto the mainstream scene and retailers were quick to take advantage of its popularity. Like many things in a capitalist market, there was an oversaturation of styles and brands which led to declines in sales and appropriation by large luxury designers.

This is a plot-point that’s almost solely about numbers, but we didn’t want to utilize graphs showing red arrows heading southwards. We wanted to capture the explosion, the chaos, and then the sudden drop as the designers felt they had lost control over the movement they had fought so hard to create. So we went a bit abstract, using 2000’s commercials and music videos to show the mayhem and some verité footage of shoppers in SoHo and on 5th Avenue quite literally “stepping back” from the brands.

Closing Scene

As we come to the end of the piece, I had a few goals in mind: give our main characters a final word, give the story a retrospective sendoff, and then give this piece an absolute wild party to end on. This fashion show from February 24, 2023 featured all of our main characters showcasing both vintage and modern looks to celebrate the 50-year anniversary of the movement they helped create. What better way to end the story?

In the final moments, I drew flashes of parallels to old runway shows using blending layers to give them a “ghostly” feel and as a someone who loves to close a piece the same way it opened, I returned us once again to that ever-flowing river of fashion that Dapper Dan opened the documentary with.


CREDITS

Producers: Matthew Kwiecinski, Lara Fernandez
Senior Producers: Yara Bishara, Marshall Crook
Director of Photography: Ernesto Guadalupe
Assistant Editor: Froy Amarillas
Colorist: Colin Travers
Audio Mixer: Justin Matley
Art Director: Ben Plimpton
Senior Motion Graphic Artists: Livia Lenhoff, Mike Basilico
Director of Post Production: Thomas Parrinello
Editorial Director, NBC BLK: Michelle Garcia
Executive Editor of Race, Equality and Justice: Tracey Eyers
Executive Editor, Digital Video Operations: Shalani Sharma
Global head of NBC News Digital: Catherine Kim